With a nod of thanks to Storify, here’s a tweet-by-photo-by-video recap of our recent trip to NYC to receive our 2012 Webby Award. What a great adventure.
With a nod of thanks to Storify, here’s a tweet-by-photo-by-video recap of our recent trip to NYC to receive our 2012 Webby Award. What a great adventure.
A new print piece has been born inside the TOKY studio! Meet PROOF, an eight-page, newspaper-style case study series that will highlight creative work we’ve done with our fantastic clients. For Volume 01, we explore our work for the Contemporary Art Museum St. Louis, from head-to-toe rebranding to book and app production.
For those who haven’t gotten their hands on a copy, know that we’ll be releasing a tablet version of Volume 01 later this summer. (And we’ll be well into making its successor.) For now, though, we’re very much enjoying the printness of this first issue…
We are thrilled to share that TOKY has won the Art category of the 16th Annual Webby Awards for the website PhotoSeed.com! In earning this win from the Webby judges, TOKY and PhotoSeed beat out four other nominees in the Art category, including the Google Art Project (created by Google London) and the website of the Walker Art Center in Minneapolis. We are honored to have competed against such high-caliber digital work.
This year’s nominees — and winner
A prestigious international competition, The Webby Awards are considered the “Oscars® of Web design” and have been described by the New York Times as the “Internet’s highest honor.” This year alone, there were nearly 10,000 entries submitted to the competition from all 50 U.S. states and more than 60 countries.
Launched in July 2011, PhotoSeed archives and presents the remarkable collection of early photographs owned by noted photographic historian and photojournalist David Spencer. Staff members Tyler Craft and Jay David designed and developed the website, and built it upon its proprietary content management system, Eero™.
The Webbies are not new to TOKY. The firm has been recognized as an Honoree on digital projects every year since 2005, with 2012 delivering the greatest recognition thus far: Websites TOKY designed and developed earned two Nominations (PhotoSeed, The World Chess Hall of Fame) and two Honoree distinctions (Dreamscapes/Pulitzer Foundation for the Arts, the Contemporary Art Museum St. Louis). Being named a Webby winner, however, is a first for TOKY — and indeed for any firm in the St. Louis region.
TOKY’s Tyler Craft, Jay David, and Eric Thoelke, on the roof of the TOKY studio in Midtown.
(Download a high-res version.)
“I’m absolutely thrilled,” said Jay David, TOKY’s Interactive Creative Director (who received the news). “To me this recognition says a lot about the desire of one person — David Spencer — to create something special online. Teaming up with Senior Developer Tyler Craft, and working with a budget dwarfed by the competition, we were able to take David’s extensive collection and create a lasting archive that’s both scholarly and engaging to explore. I look forward to watching it grow during the coming years.”
David Spencer, PhotoSeed’s owner and curator, added, “I am honored and delighted that the Webby Award judges considered it worthy of their highest accolade. We don’t expect to change the world, but we think it can be a better place on many levels, for those willing to gain beauty, truth, scholarship, and enjoyment from the site.”
Eric Thoelke, TOKY’s President and Executive Creative Director, said “This is a win for both TOKY and St. Louis. The involvement of our staff in projects such as these not only reinforces TOKY’s position as a leader in branding and design for cultural institutions, but as the first Webby to be awarded in this region, it also brings the attention of the global web design community to our city.”
Webby Award winners will be honored at a star-studded ceremony on Monday, May 21, 2012, at The Hammerstein Ballroom in New York City, where they will have an opportunity to deliver one of The Webby Awards’ famous five-word speeches. Highlights from recent speeches include Vogue Editor-in-Chief Anna Wintour’s “Sometimes, geeks can be chic.”; IBM supercomputer Watson’s “Person of the year. Ironic.”; Al Gore (“Please don’t recount this vote”); and Stephen Colbert (“Me. Me. Me. Me. Me.”). A team from TOKY will attend the event in Manhattan (live-tweeting at @tokybd), while remaining staff will celebrate during a Live-Stream Viewing Party at the TOKY studio.
View the PhotoSeed Website
Follow TOKY on Twitter
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About TOKY
TOKY is a 30-person branding and design firm based in the thriving Midtown Alley neighborhood of St. Louis. Over the past 15 years, some of the most respected organizations and companies in their class have hired TOKY to build inspiring brands, imagine new websites, design sophisticated publications, undertake strategic research and analysis, and create large-scale marketing and communications plans. Our print and digital work is consistently heralded — in Communication Arts, Graphis, and national competitions like The Webby Awards — for its creativity, intelligence, and aesthetic quality. Questions or comments about this news? Write stephen@toky.com.
About PhotoSeed
PhotoSeed, representing an evolving online record of early fine-art photography, is a private archive with simple goals: beauty, truth, scholarship, and enjoyment for all who visit. From delicate platinum to exquisite hand-pulled photogravures, images produced singularly or published in portfolios and journals, as well as vintage source material, this resource rewards the intrepid or curious. The website is owned and curated by David Spencer, a photographic historian, collector, and photojournalist living in Springfield, Ill. Visit http://photoseed.com.
About The Webby Awards
Hailed as the “Internet’s highest honor” by the New York Times, The Webby Awards are the leading international award honoring excellence on the Internet, including websites, interactive advertising & media, online film & video, and mobile & apps. Established in 1996, the 16th Annual Webby Awards received nearly 10,000 entries from all 50 states and over 60 countries worldwide. The Webby Awards are presented by The International Academy of Digital Arts and Sciences. Sponsors and Partners of The Webby Awards include: AOL, Aquent, Yahoo!, Microsoft, Ford, Dentyne, Facebook, MLB Advanced Media, Rackspace Hosting, LBi, Buddy Media, YouTube, HP, USA Today, Business Insider, 2advanced.Net, PricewaterhouseCoopers, Time Out New York and Guardian News and Media.

Tomorrow marks the opening of ARTCRANK St. Louis, a fantastic event featuring handmade, bike-inspired posters created by 30 local artists. Five of those 30 are part of team TOKY, and you can see a sneak-peek of their posters below. But first, the crucial details you’ll need to meet everyone there:
What: ARTCRANK St. Louis
When: Friday May 11 – Sunday May 13, 2012 / Opens at 5pm on Friday (full schedule)
Where: Atomic Cowboy; 4140 Manchester in The Grove (Google Maps)
Why: To support St. Louis BicycleWORKS, a terrific organization that gives kids the chance to earn a free bike while they learn about bike safety and maintenance through their Earn-a-Bike program, which has provided inner-city kids with more than 10,000 bikes.
Cost: Free to enter!
RSVP: Via Facebook
ARTCRANK St. Louis is part of the MO PRO Professional Cycling Series. Saturday’s race will take place in the Atomic Cowboy’s Grove neighborhood.
Inside Atomic Cowboy itself, there will be limited-edition, signed, and numbered copies of all the above-mentioned posters for just $40. Here’s a glimpse of the work made by TOKY staff — click for larger views — taken from this complete list:

For those of us in the content strategy field — which, judging by this tweet and chart, is a number growing daily — it’s been a great last few weeks for reading. Maybe the lead-up to CONFAB 2012 (which two of us at TOKY are attending) has created some extra kick in content strategists’ steps. Whatever the reason, I thought I’d briefly gather up some of our favorite recent articles on the subject.
In “Tinker, Tailor, Content Strategist,” published at A List Apart, Rachel Lovinger argues that we must strive for “mastery” of our subject, since “the content strategist must advocate for content at all stages of a project.” She continues:
Upholding the content vision through an entire project is no easy task, and sometimes it means having to compromise. But we must aim to optimize each one of those elements—business goals, editorial mission, user expectations, design vision, the content production process, and technological capabilities—by having them work in concert with each other. That means keeping a lot of lines of thought going at once. It also means trying to coordinate between a bunch of different stakeholders who sometimes have conflicting needs and sometimes barely speak the same language.
In that same issue of A List Apart, Lovinger published “Content Modeling: A Master Skill,” delving deeply into one of the key tools in our arsenal. Again, it’s quickly apparent that CS work is done in tight collaboration with others:
The content model both influences and is influenced by the work of several other disciplines. A content model helps clarify requirements and encourages collaboration between the designers, the developers creating the CMS, and the content creators.
After detailing each of these groups, Lovinger talks through the main elements of a content model: the assembly model (meaning how the content will get made), the content types, and the content attributes. One point I was particularly pleased to see her make — as we near the relaunch of TOKY.com — is that we shouldn’t think of these models as completable:
Since the content model serves different audiences, at several different stages of the project, treat it as a living document. It’s never really complete—you just stop updating it when the project is over. As such, it’s better as a working document than a finished deliverable. Over the lifecycle of a content model many people will have input, and it’s even possible that different people will own it at different stages. In most of my projects I’ve handed off the content model to either a functional analyst or developer at some point.
At the Brain Traffic blog, Meghan Casey recently published a post with this title question: “Should You Complement Your Intranet With Knowledge From Employees?“ This is an issue I’m engaged in right now at TOKY — exploring ways to better capture, share, and archive information about the subjects we live and breath here. Casey does well distinguishing between knowledge and actual content (how that knowledge is documented) and between employer-to-employee content and employee-to-employee content. There’s nothing revolutionary about Casey’s post, but witnessing a peer untangle and clarify some of the issues we’re all dealing with has great benefit.
Just this morning, Meet Content posted “Case in Point: Content Strategy at N.C. State,” a fantastic in-depth interview with Tim Jones, executive creative director at North Carolina State University. As the post puts it, “Jones touched on editorial process, mobile, multichannel publishing, institutional buy-in for content strategy, advocating for content, embracing a strategic approach and much more.”
Indeed. It’s a long piece — with both text and audio. I liked what Jones had to say about mobile context (key on a large college campus), about establishing partnerships with his university’s media staffers (encouraging them to “not write to fill a hole, but to write to influence action and outcome”), and about his larger team’s overall process (determine the story, determine what action that story might support, then collaborate).
Two passages that struck me most from Jones’ answers:
When you manage the central homepage there is a lot of interest in the way that you make decisions about what content you choose and what you choose not to use. We learned early on that consistency in editorial judgment is really critical, and to do that we needed to put it in writing at least internally. So we had a guidebook on how we made decisions about what kind of content we were going to promote, what we were going to use where and also providing those outlets for content that wasn’t going to make the homepage cut. And that process is enlightening. You learn what your university values are, you learn what people find important, who your audiences are, and you really have to spend some time and commit to those kinds of decisions.
And:
The other thing that has been really helpful in terms of reuse of content is a well-defined messaging architecture. I cannot say enough about that part of content strategy. Identifying your key messages, prioritizing them, and then figuring out how to tell the story of those objectives is a really key piece of content strategy. So we’ll sit down with our writing team and say, “Here is the messaging architecture in an actual document. Here is what we’re looking to do. We need some stories that fit this. Come back with ideas for stories and give me a headline, give me a short headline. Give me a Facebook teaser, and give me a question that goes with Facebook and give me an interactive element.” That’s part of our story brainstorming.
And when we keep an editorial calendar, we require all of our contributors to identify which business outcome or which bottom-line action their stories or their content is going to support. We require them to identify if it is apply, support, or contribute, and they have to identify the audiences and the targets in order for it to be included in our editorial calendar.
Okay, that’s it for the highlights, which have us seriously psyched for next week’s CONFAB 2012. You can keep us with us here and at @tokybd, where we’ll be sharing some moments from the conference. For now, it’s back to helping TOKY clients with this very subject…
Logo Lounge has just published its 10th annual Logo Trends report, and TOKY is among the international firms spotlighted. Our identity for SPACES, a California-based arts organization, has been highlighted by Logo Lounge founder Bill Gardner in a grouping he deems the “Cousin Series”:
Last year’s report noted the profusion of logo series designs. And though they were a family of marks, each differed in design and content. This year finds the continued proliferation but with the variation occurring in the surface or technique used to draft the logo. All members are still in the same family, but the variations make the units less like siblings and more like cousins.
Variants used on these series may be for trivial variety, or they may be part of a precise matrix to help code or convey specific information. Whichever the plan, the idea of building a system that is flexible and maintains diversity allows for ready identification, but it recognizes a need to buck uniformity. This can create longevity for a program designed to build equity as consumers gain familiarity with it, yet change with the vagrancies of style through modification of surface and technique.
You can read the entire 2012 report here.
If you have an iPhone app you use to keep track of recommendations, launch it now. I just polled the TOKY staff about their favorite such apps, and here’s what they told me. (Screenshots via the app makers.)
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Geoff Story: “It makes almost any photo look snappier and more interesting without looking like a special effect.”
Jay David: “It’s an app that has been out for a while (considered ancient in app years, at a whopping two-years-old), but I love that it does one thing and does it well. It mimics the look of cross-precessed film by adjusting the colors and contrast. There are no over-complicated controls and it’s quick to use, making regular old iPhone shots just a tiny bit more interesting.”
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Tyler Craft: “An invaluable tool that makes developing and testing iPhone apps much easier. This made my life so much easier when developing the CAM app. I can sing its praises all day.”
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Eric Thoelke: “I like this interactive book app from Al Gore. Even on my iPhone, it’s a spectacular visual feast, with written and spoken content, and invaluable information for making smart earth-friendly decisions in life and business.”
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Lauren Crevits: “I’m a budget dork — love my Mint app.”
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Stephen Schenkenberg: “Nothing has changed how and what and when I read as much as the iPhone + Instapaper. Those dozen articles you come across during the day — whether in your browser or your iPhone’s Twitter stream — can be sent to your Instapaper app for distraction-free reading later, whenever the time is right.”
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Daniel Korte: “I keep all of my lists (to-do, bucket, buy, movies, music, books, restaurants, etc.) in Clear because it has the best user interface in the App Store, in my opinion.” Read More

TOKY is pleased to announce that we’ve begun working with the List Visual Arts Center, the respected (and recently critically lauded) arts institution on the MIT campus in Cambridge, Mass. The List’s purpose — “to explore challenging, intellectually inquisitive, contemporary art making in all media” — is one that excites our staff and overlaps well with our firm focus. (TOKY has long worked with visual-arts institutions, from The Pulitzer Foundation for the Arts to the National Gallery and The Andy Warhol Foundation for the Visual Arts.) For the List, we will be developing a completely new brand, helping this organization strengthen its identity, clarify its messaging, and extend its public engagement. Keep an eye out later this year to see what we’ve developed.
Silver gelatin anonymous snapshot, c. 1955
We’ve blogged frequently here about our own John Foster‘s collection of vernacular photography — “amateur photos” that include family snapshots, photo booth images, scientific photos, and images taken for reasons other than artistic intent. His collection has received considerable recognition in the press (including Newsweek) and has been exhibited in nearly a dozen museums, including the Peabody Essex Museum in Boston, and others in Illinois, Tennessee, Michigan, and North Carolina.
John is pleased to share that he has gifted one of photographs — in his words, “a stunning image of two adolescent girls that is compositionally on the mark and innocently evocative” — to the permanent collection of New York’s International Center of Photography (ICP). The work will be included in a forthcoming ICP exhibition titled A Short History of Photography, honoring Willis E. Hartshorn, the institution’s Ehrenkranz Director. All of the images in this exhibition are from the ICP permanent collection, and were selected by curator Brian Wallis.
Wallis calls the exhibition “an investigation of the aesthetics and uses of photographic images, and includes well-loved classics as well as little-known works by anonymous photographers.” He says that a “hallmark of the show is a focus on alternative histories of photography, including marginalized social practices of photography as well as popular and non-art approaches to the medium.” Eugène Atget, W. Eugene Smith, Cindy Sherman, Walker Evans, and André Kertész are among the photographers included in this wide-ranging exhibition.
A Short History of Photography: From the ICP Collection Honoring Willis E. Hartshorn, Ehrenkranz Director opens to the public May 18 and closes September 2. Foster will attend the opening of the exhibit in New York the evening of May 17. If you’re there, say hello!

For the ninth year in a row, TOKY is a major sponsor for A Tasteful Affair, an annual event that raises tens of thousands of dollars to help Food Outreach continue their critical mission of providing meals to those battling HIV/AIDS and cancer. The event itself, which takes place THIS SUNDAY, is in its 24th year. It’s a fantastic tradition we’re proud to support.
When we spoke with our Food Outreach friends about their hopes for this year’s identity and materials, they had Spamalot on the brains. We went right to work and had a great time developing the design and language for — ahem — “Ye Olde A Tasteful Affaire.” In addition to the invitation set seen in this post, we produced save the date cards, posters, and other materials.
Before we show a few more photos, please take note of the event’s details, so you can join us on Sunday, as we eat, drink, and act silly in support of a truly great cause.
What: ”Ye Olde A Tasteful Affaire”
When: Sunday, April 15, 2012, 2 – 5pm
Where: The Chase Park Plaza
Tickets & More Info: Right here!
Congrats to all those taking part in the contest, as well as the clients represented in our winning entries (full list below; select images above). We look forward to toasting STL’s design achievements later this month!
TOKY’S Print Winners
TOKY’S Web/Digital Winners
To set the scene:
As the factory bell rings the cigarette girls emerge and exchange banter with young men in the crowd (“La cloche a sonné“). Carmen enters and sings provocatively of the untameable nature of love (habanera: “L’amour est un oiseau rebelle“). The men plead with her to choose a lover; after some teasing she throws a flower to Don José, who thus far has been ignoring her but is now annoyed by her insolence.
So notes the people’s encyclopedia about the 19th-century opera Carmen, written by French composer Georges Bizet and coming soon to Opera Theatre of Saint Louis, a longtime TOKY client.
Each year, Opera Theatre chooses one of its season’s shows as the thematic backdrop for its annual gala. For 2012, Opera Theatre decided on a full costume ball inspired by Carmen, giving TOKY’s designers the tasty assignment of creating invitation materials that evoke that opera’s — and, we decided, the above scene’s — mood and feel. (Red roses, black lace — great stuff to work with.)
And so: Invitees to the May 5th “La Habanera” gala will soon receive their own flowers, bright red and with a consequential bloom.

Promotional piece for Staging Old Masters; present-day photography by TOKY
We were pleased to see longtime client The Pulitzer Foundation for the Arts earn national exposure last week for its innovative Staging program, with Community Projects Director Lisa Harper Chang penning her own column about it for the Huffington Post. For those less familiar with Staging, here’s an introduction from Lisa’s piece:
In 2007, The Pulitzer Foundation for the Arts, located in St. Louis, Missouri, partnered with the George Warren Brown School of Social Work at Washington University in St. Louis with the goal of redefining museum-based community engagement through the appointment of a full-time social worker. By 2009, a flagship program of this partnership emerged with Staging, an innovative project designed by then director Matthias Waschek, PhD, and me, Lisa Harper Chang, MSW, to build the employment and life skills of two “populations” — former prisoners and veterans.
In its original context, Staging took place within an exhibition of master paintings as Staging Old Masters (the kind of paintings that you think of when you think of “museums”). A group of clients from Employment Connection, a local social service agency specializing in employment, came together for six weeks of intensive team-building, theater training, skills building, and art exploration. Led by Agnes Wilcox, Artistic Director of Prison Performing Arts, and guest instructors. The participants, hence forth referred to as actors, became a company within six weeks. The actors were united by their profound life experiences, exploring art on view, acquiring theater and performance skills, and, most importantly, learning to trust each other and themselves. Core employment training was provided by the long-standing social service agency Employment Connection. The workshops culminated at the Pulitzer with powerful in-gallery performances of an original work, created by Agnes Wilcox, featuring the words and experiences of the actors.
TOKY was proud to partner with the Pulitzer on Staging Old Masters — producing original photography and a wide range of print and digital materials — and on its successor, Staging Reflections of the Buddha, whose website we designed and developed.

TOKY’s website for Staging Reflections of the Buddha
Staging is one of the most unique, meaningful programs we’ve seen an arts institution put on. Reading Lisa’s full piece will help you understand why.
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