5 entries

Author of Entries By Kirsten O'Loughlin

Senior Interactive Designer
kirsten@toky.com

August 2010

TOKY designs FEAST’s site: the Devil is in the details

As part of FEAST magazine’s cross-media branding, TOKY designed the look and feel of the website — including the various templates for all pages.

When we design for the web, we try to work as closely as possible with developers throughout the development cycle in an effort to maintain the integrity of the original design. We are a “pixel-perfect” shop, and we live for typographic perfection from design through development.

Often, when we are asked to hand over our Photoshop files, we don’t get an opportunity to interact with the developers as a site is being built or review the site before it goes live. That was the situation with FEAST, and rarely produces a truly great site. Developers are hard-pressed to stitch so many pieces of a site together before launch that they often overlook the “details” that they deem inconsequential.

The FEAST site almost gets it right, except for a few of those overlooked details here and there. These details are, of course, what distinguish great from good. Here are a few examples of some discrepancies we noticed. TOKY’s comps are on the left or on top; the live site on the right or bottom.

1. The developers decided to implement an HTML font for the navigation instead of the more branded, bolder typeface we had selected.

2. Additionally, the navigation drop menus use a different font and the line-spacing is much tighter in the final version, and the dividing rules are black and not reversed, giving the menus a cramped feeling.

3. We designed the “Most Commented” and “Most Read” tabs to work with the color palette of the site; these were changed in development as well as the left alignment of the copy, creating a jagged scanning and reading experience for the visitor. Additionally, the “Read More/Get The Recipe” button is misaligned, and the letterspacing in the design was overlooked.

For the most part, the site functions as it should. We hope that as the site evolves the development team will go back and revisit the original comps in an effort to polish up the elements that have been overlooked. Until then, it’s more famine than FEAST. See for yourself: www.feaststl.com

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March 2010

Dance as Design

I was lucky to spot an ad for the Aszure Barton & Artists show at the Touhill this weekend, and after perusing their site I realized I haven’t seen really great modern dance since I moved here from Portland. I’ve also seen my share of really bad modern dance, which can make you cringe in your seat like an amateur improv poetry night.

I’m no expert on the genre of dance, modern or traditional, but I’m pretty particular about any performance art I’m willing to pay for, as I tend to find that most of it is cliché or overdone. The videos on the site convinced me this would at least be something new.

Watching the two movements by Aszure this weekend, Busk and Blue Soup,  I realized how a great modern performance appeals to me in a similar fashion as a well designed book, typeface, website, poster or package. These two performances in particular felt like they were choreographed by a seasoned and talented graphic designer. The simplicity of the colors and costume, or in some cases a lack of costume, the pure motion of the dancers and the strength and poignancy of the subject matter in both movements all connected in a way I had never experienced before in a performance.

Dance St. Louis apparently signed the company to this performance before they started to hit it big. Hopefully we’ll get them back again soon.

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February 2010

Design for the Other 90%

On a recent trip to Portland Oregon, I was fortunate to have a personal tour of the new Mercy Corps world headquarters building (designed by THA Architecture) from a good friend who was then dispatched to Haiti within the next few days. The Cooper-Hewitt Design for the Other 90% exhibit was on display at the MC Action Center, and it reminded me how some design CAN change and is in fact changing the world. Innovative thoughtful products like the Bamboo Treadle Pump and the LifeStraw help the poor in a multitude of developing countries gain access to safe water for farming and drinking.

WorldBike brings a new meaning to what hipsters would call artbikes, designing low-cost load-carrying bicycles capable of carrying hundreds of pounds of cargo for entrepreneurs and consumers in developing countries.

Good old humble graphic design wasn’t represented among the high impact life-changing products on display, beyond the beautifully designed catalogue and award-winning website. My tour guide however did mention that Mercy Corps is trying to make the new Action Center a more friendly and welcoming experience. Hopefully they will move away from the cold typography, stark banners and way-finding, and make their interactive stations more comfortable. I think they can achieve a sense of urgency and seriousness about changing the world without feeling and looking like a bank.

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September 2009

Midtown earns Best Restaurant Neighborhood in RFT’s Best of St. Louis

We’re so proud of our neighborhood!
This just after the first Midtown Alley Street Festival this past weekend, which featured nearly all of the restaurants listed! We also learned that the Pulitzer Foundation for the Arts earned Best Museum, The Fountain on Locust won Best Ice Cream Parlor, Pappy’s Smokehouse won Best BBQ, The U won Best French Fries AND The Good Pie earned best Lunch Specials. Phew! We are rockin’ down here!!

Read more at the RFT website.

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May 2009

A New Orleans-style Fête

Letterpress

Letterpress

Get your ink on! We designed an invitation for a birthday bash recently and printed it on a Vandercook to get that oh so wonderful letterpress feeling. Printed on a local paper made from recycled clothing – www.archpaper.net.

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