Archive for March 2010

March 2010

Dance as Design

I was lucky to spot an ad for the Aszure Barton & Artists show at the Touhill this weekend, and after perusing their site I realized I haven’t seen really great modern dance since I moved here from Portland. I’ve also seen my share of really bad modern dance, which can make you cringe in your seat like an amateur improv poetry night.

I’m no expert on the genre of dance, modern or traditional, but I’m pretty particular about any performance art I’m willing to pay for, as I tend to find that most of it is cliché or overdone. The videos on the site convinced me this would at least be something new.

Watching the two movements by Aszure this weekend, Busk and Blue Soup,  I realized how a great modern performance appeals to me in a similar fashion as a well designed book, typeface, website, poster or package. These two performances in particular felt like they were choreographed by a seasoned and talented graphic designer. The simplicity of the colors and costume, or in some cases a lack of costume, the pure motion of the dancers and the strength and poignancy of the subject matter in both movements all connected in a way I had never experienced before in a performance.

Dance St. Louis apparently signed the company to this performance before they started to hit it big. Hopefully we’ll get them back again soon.

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March 2010

TOKY and Midtown Alley in St. Louis Magazine

St. Louis Magazine gave our Midtown Alley neighborhood a great write-up this month, with extensive quotes from the TOKY team and several of our friends and neighbors. We even got a sweet above-the-masthead blurb and a photo of our building! OK, we actually moved to larger quarters down the block from that building more than two years ago, but apparently there’s an advantage to being slow to remove one’s old banners. The article isn’t online, so buy a copy and read about our emerging slice of urban coolness.

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March 2010

Sparing No Expense

Like many premium product brands of today, cigar box labels of the late 19th century were designed to express something of the highest quality. Cigar manufacturer’s wished to express two things to potential buyers—great taste and high-quality tobacco. Cigar smoking was at the height of popularity at the turn of the century, so naturally competition to influence a potential consumer was fierce. Given that every cigar manufacturer said their tobacco leaf and finely rolled cigars provided exceptional taste and the highest quality, how did they express that to the consumer? They did it by sparing no expense with the latest printing, embossing, foil stamping and highest quality graphic design they could find.

The label shown at top, for Ninus brand cigars, was no exception. The colors are still rich and beautiful, and the gold foil and embossing would make any buyer of this product feel as if they were opening something rare and expensive— lessons that continue today with so many consumer products across many categories. I contend that the very act of just opening a box of cigars, the process of breaking the seal, lifting the lid, and witnessing the tight and perfect arrangement of the cigars inside was, in effect, like the distant memory of opening a special gift in childhood. Dr. Freud would be all over this theory.

For Bank Note cigars, their branding strategy led them towards the look of a finely engraved monetary bank note—certainly an expensive look in the marketing war to win the hearts, minds (and taste) of the cigar smoking gentlemen of the day.

Images found on eBay.

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March 2010

Fonts are dangerous

Calligraphic fonts bedevil me.  So, when I saw this ad I thought it was an example of what I like to call a “can’t see the forest for the trees” font. But, no, it was a typo in a Wall Street Journal ad! I feel the company’s pain on many levels (we’ve concealed their name to protect the innocent) – as a copywriter, as an unofficial proofreader who lives in fear of a “can’t see the forest for the trees” typo, as a marketer who imagines how much revenue this ad was supposed to generate, and as someone of Italian descent. So, designers and writers: be careful out there!

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